Factual
Crowd gathered in front of a large building with a domed roof and columns, under a cloudy sky, during a public event or gathering. The building is the National Gallery and the event is Jeremy Deller's The Triumph of Art.

Jeremy Deller’s The Triumph of Art

Live-filming lead

I make content for museums and galleries. Whether it’s films, audio guides, podcasts or web pages, I get to the audiences they want to reach. I do this by creating strategies, leading editorial, directing production and bringing in doughnuts.

I was a digital product and project manager for arts organisations years before this, which is still pretty handy for knowing when something is a content issue or a UX issue, getting hold of data and setting up processes so everyone’s less stressed.

I’ve even been known to still configure Jira for colleagues when asked nicely and given a cup of tea.

Simple orange drawing of a smiling face with two eyes, glasses and a curved mouth on a light background.
Photo of a room with wooden bookshelves filled with books on the right and a wooden cabinet with glass doors filled with books on the left. In the center, there is a table with a camera on a tripod and some electronic equipment. A large softbox light is set up in front of the table, aimed at the bookshelves. The room has a parquet wood floor and a high ceiling with decorative molding.

Linked Lives , three-part series

Editorial Lead and Line Producer, 2025-6

Arts Content

I led the National Gallery’s content across film (YouTube and social cuts), nationalgallery.org.uk, audio guides and post-production for the podcast Stories in Colour, creating the 2-026 digital strategy.

I worked across exhibitions including the Neo-Impressionists, Zurbaran, Joseph Wright of Derby, Waldmuller, Renoir and the filming of The Triumph of Art. I also led dedicated content streams including Picture of the Month, Interesting Questions and Behind the Scenes. My content strategy for 2026 has already led to much higher views across films and better progression to basket for exhibition sales.

I was the Content Manager for Kew Gardens where I worked across exhibitions and campaigns. Some of the work I’m most proud of was on Wakehurst’s Glow Wild where I achieved the higest ever views for content on their channel.

I created the four-year digital strategy for Craigdarroch Castle in British Columbia.

Painting of two men dressed in 17th-century European clothing with ornate detailing, standing indoors with a dark background.
Red paper lantern with horizontal ribbing and a small blue top and dark gray bottom.
A renaissance painting depicting a woman at an easel painting a ship scene, with a group of people gathered around her, including a man with a sword, a woman playing a musical instrument, and a cat on the floor.
Digital illustration of a painter's palette with colorful paint blobs and a finger hole

The Entire Odyssey in One Painting, Executive Producer, Editorial Lead and Strategist (350k views)

Stories in Colour, Post-Production Executive Producer for the Gold Mini Series and Series Two

A colorful, vintage-style mural depicting a lively scene with people playing musical instruments and dancing, featuring two women in flowing dresses and men with instruments, set against a background with floating shapes and flowers.

How to Make a Festive Winter Lantern, Editorial Lead and Strategist (recut from historic, lower-performing video) (500k views)

Can Fashion Predict a Civil War?, Executive Producer, Editorial Lead and Strategist (500k views)

Radical Harmony: Neo-Impressionists Audio Guide, Executive Producer for the National Gallery side (created with Smartify)

Arts tech

I was the Product Manager at Imagineear where I worked on the tech and editorial of projects like Titanic: The Exhibition, Linlithgow Burgh Halls, the Household Cavalry Museum, Liverpool Football Club and Chelsea & Westminster Hospital Arts Trail.

I was the Product Manager for Imperial War Museums, working across their ecommerce and marketing presence, along with work for their new World War Two and Holocaust Galleries.

I was the agency-side project manager for the CMSs and web apps for work including Art UK, British Art Studies, Asia Society, Dia Art Foundation, the Fitzwilliam Museum’s Illuminated, House of Illustration, New York City Landmarks Preservation Commission, Paul Mellon Centre, Shakespeare Birthplace Trust, University of Oxford’s HEIR Tagger and West Kowloon Cultural District.

Black and white photo of ancient ruins, including the Parthenon temple with tall columns, surrounded by scattered rocks and a person standing among the ruins.
Empty indoor arts space with tall white columns and wooden ceiling. Part of Dia Arts Foundation.

Oxford University’s HEIR, Project Manager, agency side

Dia Art Foundation, Project Manager, agency side

A religious manuscript illumination depicting the Annunciation, with the Angel Gabriel on the right presenting a staff to the Virgin Mary on the left, surrounded by decorative floral border.
A painted scene in a forest with two people sitting on a fallen log. One person dressed as a clown or jester in bright colors, holding a stick with a stuffed animal at the end. The other person is a woman with red hair, dressed in dark clothing, sitting barefoot on the log.

The Fitzwilliam Museum’s Illuminated, Project Manager, agency side

Art UK, Project Manager from pitch to delivery, agency side

A detailed landscape painting showing a river, trees, a small stone bridge, and a few houses in the background. In the foreground, a person is washing a horse, with other figures relaxing along the riverbank. The sky is partly cloudy with sunlight illuminating the scene.

British Art Studies, Project Manager, agency side